This month was full of great releases and good vibes for the most part. And while I attended probably the least amount of shows I ever have in a month, there’s hope on the horizon for a music-filled month.
So, let’s start with some hot new singles that were recently released – from indie legends Grizzly Bear to local wonder Miya Folick, there is much to be thankful for as an indie enthusiast. Continue reading
Slowdive is the shoegaze legend’s newest album since their last release 22 years ago and after emerging on the scene in the ’80s. Compiled of 8 dreamy tracks, Slowdive reveals they haven’t missed a beat in the music scene and also the massive influence they’ve had on emerging bands over the years. Dream pop and post-punk still dominate the indie scene when it comes to quality, and clearly this is where it all started. Continue reading
It’s a blessed day indeed as Mac Demarco released his fifth album from via Captured Tracks today titled This Old Dog.
The overall theme appears to be growing older and maturing – something Mac-y’s probably not quite ready for as he gives himself a long look in the mirror each morning. But his willingness to “go there” and reveal to his fans what keeps him up at night has really culminated into something special. What he deems as “jizz-jazz” is coming to life with the occasional jazz-influenced chords and the integration of the synth in several of his tracks.
Here are my top five songs from the album: Continue reading
This past Thursday was a real special night in L.A. Mac Demarco, who’s on his way to Coachella this weekend, announced that he was playing a “secret” last-minute show at The Echo for a mere $22 a ticket! I heard the announcement first on KCRW’s Morning Becomes Eclectic Facebook Live video of Mac and friends in their studio.
This past Saturday I ventured to East L.A. for my second Broke LA experience. I had attended last year when the festival was held at the Los Angeles Arts District, and at $20 a ticket (presale) with a full lineup of local and non-local indie bands, going again seemed like a no-brainer!
Truthfully, I hadn’t heard of the majority of the bands listed on the lineup. I knew I wanted to see BOYO again after hearing them open for Sadgirl and Surf Curse last month, and I also wanted to see James Supercave. Surprisingly, there were a couple bands I did end up knowing, such as Emerson Star and Ugly Sweaters. My objective was to see as many of the acts as I could and really take in the whole experience.
It’s about that time to reflect on the past month… March was another concert-filled, up and down, and re-evaluating time. Of course, music was with me every step of the way. It’s such a comfort to find a song that just “hugs” you, especially when you’re not feeling 100% about anything in your life. I’ve been without a steady job since September, and my mind is channeling so many creative projects that I can’t keep up. And while I consider myself to be multi-passionate, it seems that the only way I can make money is by doing work I’m not that enthusiastic about. Continue reading
This year I’ve been compiling a playlist of everything that’s good in new music, particularly the Indie Rock scene. And while I understand that “interesting” is subjective, to me each of these tracks captivate in an original way. Continue reading
This past Thursday I headed to the Glass House in Pomona for the first time to catch a powerhouse of a lineup featuring Boyo, Sadgirl, Slow Hollows, and Surf Curse.
I arrived in time for the last few songs of Boyo’s set and then headed upstairs to view the rest of the show at a safe distance where I could actually see since the floor was already packed and I fully expected the moshing to break out during Sadgirl’s set. And I was not wrong! They delivered an impressive, high energy surf rock set complete with jangly guitar solos and ’50s rock vocals. Next Slow Hollows took the stage, this time featuring a sax and trumpet player on several of their tracks as well. They played mostly songs from their new album, Romantic, which features mostly mellow indie styles with deep vocals. Continue reading
This past weekend I headed to the Smell in Downtown L.A. to attend the annual Women Fuck Shit Up Fest. Over 50 bands from all over the U.S. came out in support of the Alexandria House, a non-profit transitional residence for women and children.
The festival opened at The Smell, a narrow DIY venue that appeals to the all-ages crowd as there’s not a drop of alcohol in sight. Around 9 p.m., the neighboring Five Star Bar hosted comedy, zine reading, and several additional bands, several of which were not included in the lineup—which was just as well, since some of the bands that were on the lineup never took the stage, which was consistently about 30 minutes behind schedule. But with a massive lineup like that and a DIY style event, I can assume that cancellations and running behind just comes with the territory.
This past Thursday I ventured to the Pico-Union neighborhood of Los Angeles to catch Black Marble, co-headlining with Uniform at the Union—a nightclub tucked away between a residential neighborhood and shops, that also allows the audience to get up close and personal with the performers.